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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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About Face articles

The great South Sea caterpillar transformed into a Bath Butterfly (Sir Joseph Banks)

The Bath Butterfly

About Face article

The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks.

Lee Kernaghan near Broken Hill

Milestones

About Face article

This month I turn fifty, soI am just now looking rather more closely than usual at Fiona Foley, Steven Heathcote, Brenda Croft, Russell Crowe, Jeff Fenech, Akira Isogawa, Lee Kernaghan, My Le Thi, Shona Wilson and Mark Taylor AO, mindful that they too were 1964 arrivals.

Self-portrait with guardian spirits, 2009-2010 Kate Beynon

Kate Beynon’s transcultural life and art

About Face article

Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.

Angus Trumble and Brownie

A bear of great substance

About Face article

Just in time for Christmas, Angus reflects on the most special present he has ever received.

Jon (Jon Muir)

Roam alone

About Face article

Jon Muir, adventurer and Portrait Gallery Collection subject, really knows about isolation.

Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

About Face article

Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.

Indexing, the art of

About Face article

The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.

Trumble's way

About Face article

At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?

Mary, Queen of Scots by unknown artist, National Portrait Gallery of London

Portrait dendrochronology

About Face article

Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'

Mural of Italian/Roman actress Anna Magnani (1908–1973) with face mask, April 2020 Unknown artist

Of plague and portraits

About Face article

Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

Alan Goldberg

Beyond the bow tie

About Face article

Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.

Asiel Timor Dei, ca. 1728 by a master of Calamarca

The Viceroyalty of New Spain

About Face article

European painters always enjoyed a good deal of latitude in the representation of angels, those asexual, bodiless, celestial regiments of God, so long as they were young and beautiful.

20/20 launch speech

About Face article

Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

About Face article

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Forest Creek, Mount Alexander Diggings, 1852 by S. T. Gill

The Rothschilds, the Montefiores, and the Victorian Gold Rush

About Face article

Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency